Dark water, air polished,
gently slapping the hull as
I watch the surface,
the weight of atmosphere pressing the swell
below my paddle.
I think how I will have to be so careful
when my brush touches the canvas,
each mark must seem random
when it isn’t.
Instead of painting, I am trying to fish,
when my lure catches, pulls me starboard,
unyielding, the line thrumming,
blade-sharp against skin.
Immediately the stand snaps.
I grip the rod, hold on for so long
as it bends until it’s tip
ducks below the surface,
my arms pulled inexorably down
into the water’s breath.
I have to cut it free.
The line is gone as if it never was.
Serene swaying, hushed lapping, a gull’s scream,
dogs barking on the beach
as I paddle in.
Unsteadily I stand in the surf,
pull the boat up the sand.
This is the day you leave us all.
The news comes in an email and
I watch the North Sea from the window.
She says it is unexpected,
you thought you had more time.
There is never time.
I wrap the kayak in its tarpaulin and
climb the stairs to sit and sketch that horizon,
the lowering clouds, pewter greys, Prussian blues
I fade them to Titanium white, pure, no touch of Paynes.
Cerulean is the blue I will use for the sky,
but it’s not the colour of heaven.

Issue 5
COLD WAVE

Mark Holihan is a writer and artist. He was the winner of the Phalen Award for short fiction and poetry, and shortlisted for the Bridport Prize. His first collection, There are No Foreign Lands, was published by Cultured Llama in 2016.
