Before the snowfall bleeds,
the fingers plucked from Superior’s finest valley.
In December.
We hear that there are
lighthouses and there are bells.
We hear that there are
trains that hush children
tucked in their flannel chinooks.
We hear that there are
the bellies that sway and spew
like the ships that’ll pass fortnight.
Until it is quiet.
They will brew dust now.
There is the lake
that takes
and will never give back.
In the shipyard.
And there is she.
Slush builds up on
grey roads that
were spat on by God.
Don’t use them.
When we see
the red bows in her hair.
Brown like Mine.
She stuffs her fists
in flea-ridden fabric.
Borrowed and used.
She pulls out
peppermints and bonbons.
Let the wilderness swallow her whole.
The pines bend
their knees
in quiet persuasion.
Outside, we hear the cuckoo cry.
We hear the lake of her
swollen lungs echo its beckoning,
its call to tender slumber.
She dies on Christmas Eve.
It is quiet again.
We left her presents in the attic.
We see they are strangled
with twine and lapped
with pine needles and swollen
with effervescent love.
They are keenly watched
by the windowsill that
navigates the track of moons.
Moons without her.
As they, too, brew dust.

Issue 6
PELAGIC GRIP

Lauren Goulette is from the wider Minneapolis area. Her pieces often reflect nostalgia, ancestry, and experiences growing up in Wisconsin. She is founder of her school’s Women In Literature Club and an alumni winner of the class of 2020, 2021, and 2022 Scholastic Arts And Writing Awards.